Friday, June 9, 2017

Luna – Penthouse



Luna – Penthouse
By
Jesse E. Mullen



Penthouse, along with Lunapark is undoubtedly Luna's peak and most distinguished record(s). However, whereas Lunapark evoked a slightly spooky dreampop tone from Wareham's guitar, Penthouse is where Sean Eden truly begins to shine, giving Luna its twin guitar attack that we all know and love. Eden shines the brightest when he is allowed to wrap his elastic riffs around Wareharm's wet, reverberated chords on songs such as "Moon Palace" and "23 Minutes In Brussels."
Elektra/1995

Wednesday, June 7, 2017

Archers of Loaf – Vee Vee



Archers of Loaf – Vee Vee
By
Jesse E. Mullen



Vee Vee is without a doubt the Archers at their peak. With the album utilizing a more unified, and fleshed out (though no less intense) sound than Icky Mettle, they tackle their songs with a flat, dry production, preserving all of the energy of the four musicians, and giving us the closest recorded effort to sounding like one of their live shows (excluding Seconds Before The Accident, and Curse of the Loaf of course, the two actual live albums put out by the group.) Highlights include the hard-hitting melodic, alternately tuned "Harnessed In Slums," the majestic "Greatest of All Time," which predates Pavement's similarly low e-string heavy ballad "Grounded" by a month. Also, the mellow, slightly experimental "Floating Friends" seems to point to the sparser, sound fx heavy material on the loaf's last two albums, All The Nation's Airports and White Trash Heroes. The guitar interplay between Eric Bachmann and Eric Johnson has not waned in the two years between Vee Vee and their debut (Icky Mettle.) They continue to use their counter melodies in beautiful and aggressive ways, and although not a lot has changed on that front, they've had it perfected since the beginning. If it ain't broke, don't fix it.
Alias Records/1995

Friday, May 26, 2017

Wipers – The Herd



Wipers – The Herd
By
Jesse E. Mullen

For a while, it must have looked like The Wipers and Greg Sage were going to have an opening trifecta of classic albums, and several good to great releases to come afterwards. (Though I will vouch for Sage's first solo album, Straight Ahead, and its classic status any day.) But thanks to the strong melodies, pounding drums, and wall of noise guitars found here, Sage has created another perfectly sequenced classic. Highlights include "Last Chance" with its incredibly dark riff (So good, it was recycled twice on the Wipers next album as two new songs!), the title track, "Wind The Clock Slowly," and my favorite, the sloganeering "Resist" complete with a breathtakingly breezy opening melody, and a ripping solo at the end. (No wonder J. Mascis is such a huge fan.)
 Tim/Kerr Records/1996